reviews

'Darkest Miriam' Finds Poetry Amidst the Chaos of a Toronto Library

Directed by Naomi Jaye

PUBLISHED Mar 28, 2025

'Darkest Miriam' is an urban exploration of isolation, connection and literature that earnestly attempts to portray a sense of poetic...

Gloin Break the Feedback Loop on 'All of your anger is actually shame (and I bet that makes you angry)'

PUBLISHED Mar 27, 2025

Noise was always part of the Gloin proposition — it says "noise rock group" right in their Bandcamp bio — but they've never sounded this...

Perfume Genius's 'Glory' Is a Bright Return to Form

PUBLISHED Mar 27, 2025

I'll never forget the first time I encountered the music of Perfume Genius. For some reason, the music video for the singer-songwriter born...

Great Grandpa Are Whatever You Need Them to Be on 'Patience, Moonbeam'

Exclaim! Staff Picks

PUBLISHED Mar 27, 2025

This is the kind of record I wait for every year. Inevitably it arrives, like last year's 'Tiger's Blood,' 2023's 'The Window' or 2022's...

The Magnetic Fields Were Divine and Asinine in Toronto

Queen Elizabeth Theatre, March 26

PUBLISHED Mar 27, 2025

For all of the obvious pitfalls of the streaming era, having much of music history at our fingertips has given us the gift of being able to...

Black Country, New Road Live Up to Their Promise on "For the Cold Country"

Exclaim! Staff Picks

PUBLISHED Mar 26, 2025

I've been intrigued and a little confused by the way Black Country, New Road's 2022 album 'Ants from Up the There' has been embraced as a...

Sorry Girls Bounce Back Unapologetically with "Ricochet"

Exclaim! Staff Picks

PUBLISHED Mar 26, 2025

I really like the song "The Exiles" by Sorry Girls — the Montreal-based dream pop duo of Heather Foster Kirkpatrick and Dylan Konrad Obront...

The Darkness's 'Dreams on Toast' Are Stale but Endearingly Saucy

PUBLISHED Mar 24, 2025

At the turn of our innocent century, who would've guessed that 2025 would bring an eighth studio album from the Darkness? The infectious...