TIFF Retrospective

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  Licence to Kill

  John Glen

  PUBLISHED Nov 12, 2012

  Rightfully, the biggest criticism that Licence to Kill has received over time—beyond nitpicking about who makes the best Bond—i...

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  Three Days of the Condor

  Sydney Pollack

  PUBLISHED Nov 9, 2012

  Though prescient in its own way, pivoting on a CIA conspiracy to take over Middle Eastern oil fields noting the likely resource shortages o...

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  A Nightmare on Elm Street

  Wes Craven

  PUBLISHED Nov 9, 2012

  Furthering the evolution of the slasher film from its roots in Halloween and Friday the 13th, A Nightmare on Elm Street fully embraced the...

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  Live and Let Die

  Guy Hamilton

  PUBLISHED Nov 8, 2012

  Where would James Bond be without music? Certainly not the immortal cultural icon Ian Fleming's misogynistic superspy has become. Through...

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  Peeping Tom

  Michael Powell

  PUBLISHED Nov 4, 2012

  Known well in the world of film theory and academia, Peeping Tom, Michael Powell's acutely self-aware ode to the voyeuristic and implicitly...

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  The Living Daylights

  John Glen

  PUBLISHED Nov 2, 2012

  After the Remington Steele controversy with Pierce Brosnan, wherein NBC's last minute decision to renew the series after announcing its can...

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  A View to a Kill

  John Glen

  PUBLISHED Nov 2, 2012

  Known by many as the worst Bond film for a variety of reasons, Moore's final dalliance with 007 in 1985's A View to a Kill has an appeal ou...

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  Martin

  George A. Romero

  PUBLISHED Oct 31, 2012

  Reality doesn't bear much resemblance to fantasy. The picture of a luscious, ready and waiting victim Martin has in his mind before he burs...