This is an album that rewards listeners with long attention spans and patience for repetition. Should begins with a 15-minute track made of a simple chiming electric guitar chord. Gradually the ear dips beneath the theme (perhaps to escape it) finding a quiet, rich drone of post-delay fallout that subtly shifts and modulates. At the14-minute mark a short taped vocal interjects and then the track ends so curtly it startles, given the lulling effect of the track. With the exception of the found text/noise experiment of "Symbol/Language>Discourse, most of the album is built upon these kinds of hazy repeating structures of guitar, synthesiser and/or indistinct machine noises. Within the familiarity of repetition, however, lives a native cunning. For example: at the 2:45 point of "When Everything Runs Dry a phased guitar loop drops out mid-cycle and is replaced by a sharp-toned hand chime. The complement of sounds and broken timekeeping create something sublime in its very inexactness. Likewise, the last track is "You Are My Sunshine as played on a slowly winding down music box framed by the barely audible background noise of large vehicles idling. That the theme finally ends two notes into its cycle is no accident.
(tbtmo)Arkitekchur
Should
BY Eric HillPublished Jan 1, 2006