On MySpace theyre simply "some electro, 80s loving indie rock kids but the trio of Cut Copy shouldnt be so modest about their gift. Originally released back in their native Australia through the dead-cool Modular label two years ago, Bright Like Neon Love is a flawless example of rock and dance fusion that rivals anything with the DFA insignia. Immediate comparisons to Daft Punks pop side of Discovery are irrepressible, but Dan Whitford, Tim Hoey and Mitchell Scott are adamant about their distinct rock guitars, sleek and sturdy bass lines and attractive, albeit elementary, melodies. And no, this isnt retro-curious, revivalist synth pap; Cut Copy worship their guitars as much as they do their keyboards and are better for it. There is a joyous naïveté to songs like "Time Stands Still, where the bands simplicity shines through the synthetic ripples and infectious triad. "Saturdays uses consistent kindergarten-clapping beats and a late night after-hours vibe that is accented beautifully by a brief but elegant comedown "reprise that actually betters the original. "Going Nowhere is the standout club song, with its majestic severed guitar riffs and loopy electronics, beefed up by that undying 4/4 beat that makes itself home for most of the albums life. Bright Like Neon Love is an exceptional debut and one that will unquestionably find success first with the scenesters and, if given a chance, the young impressionable crowds who caught them supporting Franz Ferdinand last autumn.
(Napalm)Cut Copy
Bright Like Neon Love
BY Cam LindsayPublished Jun 1, 2006